Squid Game season 3 review: an uneven conclusion

The third and last season of the definition of industry Calmar game Book with confidence each new round of death games with a spectacularly brutal plumb – but its attempts to build the world are disappointing and uneven.

A part of Calmar gameThe most interesting dynamic of the first two seasons-the policy among the masked guards, the organ harvest operation, the relationship between the front man / in-ho (played by Lee Byung-Hun) and Brother Jun-ho (Wi Ha-jun), the crew of Buly Men directed by Jun-Ho trying to discover and infiltrate the island hosting the world Having already struggling to make the conclusion frustrated into so far.

A new season of any show should always aim to ask new questions. For Calmar gameThere are a lot of choice. What is the selection process for the guards, and how are they promoted the hierarchy in the “triangle” sergeants or, ultimately, the “square” leaders? What do their internal policy look like? What other things have happened between the In-Ho and Jun-Ho brothers before In-Ho joined the matches? If Jun-Ho’s crew manages to infiltrate the island, will the games be stopped? How will it happen? Who are these English -speaking VIPs? Has there been any opportunities in the past where the games have been almost publicly exposed?

However, the world’s world construction efforts are frustrating without imagination for the most part, although the last 10 minutes of the season have some of its most glorious moments that take place outside the matches. They are so intriguing that it makes you ask you why we didn’t just start there.

The third season resumes several sons of the place where the previous one stopped (season 3 works more as a second part of season 2 than as an autonomous season). Jun-Ho and his crew remain categorical about the island’s search, while the Loyal Woo-Seok (Jun Suk-Ho) claims a stake in one of the most exciting scenes in the series when you try to discover the past of the captain of the boat. There is a plot between the goalkeeper born in North Korea No-Eul (Park Gyu-Young) and another soldier, the leading goalkeeper of the game being pulled in the scuffles. However, these efforts are unevenly expanded and do not widen the Calmar game Universe a lot.

Calmar game The creator Hwang Dong-Hyuk seems to be at his best when performing the action-filled competitions, which present children like Jump Rope and Hide and Seek this season. Display of vertigo jump rope game and inducing long hide-and-hiding hide and hiding room hide and seek, apparently endless hiding places to stop the colors, Hwang is a magician with fear, suspense and relief. In the throes of the battlefield of the Games, the alchemy of circumstantial confidence, forged and broken alliances and lightning of humanity reminds viewers all the elements that made Calmar game Such a global touch during its first in first in 2021.

The best part of Calmar game Also develops in its greatest curse: it is a show that works so well with an overall plaster. Beyond the headliner Gi-Hun / Player 456 (Lee Jung-Jae), other characters-such as the cold and the calculator calculator Myung-Gi (Yim Si-Wan), the Dae-ho à la Voli (Roh Jae-Won), and the mother-son duo Geum-Ja (Kang Ae-Sim) and Yong-Sik (Yang Dong)- All are getting their weight.

Part of the unstable stages of the third season can be forgiven on the basis that some of the characters in which the public is most invested … Die, due to the nature of the show as a survival game. This is amplified in particular this season, because more than three -quarters of the players have already been eliminated. The spectacle and extravagance of Calmar game Prosperous on the cacophony of 456 desperate but complex humans dotted with their green tracks in blocks, taking the greatest chance of their life of redemption in the arena of games. It is the brilliant shock of gallows humor, large and small personalities, and a hundred systems of different values ​​that have propelled a large part of the momentum of the show.

While the players are killed, the dormitory empties and the show must turn elsewhere to find its verve and its momentum. Although this presents the opportunity for history to become more intimate, spreading out the remaining characters with greater depth, Calmar game Suddenly becomes unusually too shy to walk on these waters.

The third episode, entitled “It is not your fault”, is the most affecting the show, and perhaps the strongest. The noisy game arena gives way to sincere emotional exchange. While the games claim their victims, some of the surviving characters say the sentence “it’s my fault” in their despair. They are struggling with dominating guilt that their personal survival has reached such a cost, and also blames their own false steps and gaps that brought them to the games in the first place.

However, in the midst of all pain and wound, the episode gives way to expressions of deep grace and wisdom. While Gi-Hun became almost silent, burning with unspeakable rage and guilt after an unsuccessful and costly rebellion (which we saw in season 2), it is in this episode that he speaks the most, trying to find the link and the Catharsis. A character wisely thought out of Gi-Hun: “No matter how you look at it, life is unfair. Bad people do bad things, but they blame others and continue to live in peace. Good people, on the other hand, fight on the smallest things. ”

Contextualized in the broader criticism of the program on capitalism and uncontrolled inequalities, this episode brings the question of guilt in relief. As much as the game shapes its own heroes and losers, winners and victims, all those who are a participant here are ultimately a victim of society in the “real world” outside the games. Some are born in poverty or in broken families. Others cannot find a help for their drugs or their dependence on the game. Some have never had the best cards to start life. Who is really faulty?

Although the third episode circulates gently in its intrigue and its development of characters, it cannot be said for many other parts of the season. Certain twists and turns of the intrigue of the season will also prove to be a divider between the public – for example, a new player is introduced without ceremonies in the games without being able to give his consent, or even participate in each voting round. This introduces a remarkably new dynamic among players, although the player’s participation can sometimes be visible.

The spectacle changes speed in its last minutes, when it accelerates the pace spectacularly. It also ends in a way that opens up many new directions for the future Calmar game The fallout, which resemble an inevitability at this stage. With such a big price to win, it is difficult to imagine that Netflix remains away from one of its most lucrative series for a long time.

_{Calmar game Season 3 is in trouble on Netflix now.}