Andy Warhol and ‘Get Out’: The Week in Pop-Culture Writing
30 years after his death, the spirit of Andy Warhol is still very lively
RC Baker | The voice of the village
“What is the responsibility of a mirror for beauty or ugliness it is?” Warhol loved both the summits and the depths of American culture, and reflected it through us through his work, which remains to this day. Here is the spin he put on the concept of American exceptionalism in 1985 America Book: ‘Maybe you think it is so special that some people should not be allowed to live [here]Or if they live [here] that they should not say certain things or have certain ideas. »»
The rise of Roxane Gay
Molly Mcardle | Brooklyn Magazine
“Gay has been persistent and precise when so many others have not done so: it believes in a substantial variety of writers and writing which includes not only race, sex and sexuality, but also class, capacity, geography. She also takes as much time and seeing herself as hard as she makes someone else. During the exam, in his 2010. Htmlgiant Essay “a deep feeling of absence”, whether it reads or not, Gay concludes: “I don’t know either.” »»
The age of rudeness
Rachel Cusk | The New York Times Magazine
“Are people rude because they are unhappy?” Is the coarseness like nudity, a state deserving the tact and mercy of the clothes? If we are polite for coarse people, perhaps we gave them back their dignity; However, the obsession with disinhibition is.
In To go outRacism is the story of horror that blacks try to survive
Frederick McKindra | Buzzfeed
“Horror films have constantly reinforced the concept of the vulnerability of the white body and subtly advised their audience to only treat bodies in concern. Meanwhile, for black characters, and by extension, blacks, if no one has ever seen you scream, tremble or bleed, they have never learned to see you as human. The problems that would concern any black person in real life. »»
Remember Seijun Suzuki, an absurd author in the clothes of Canon hired
Emily Yoshida | Vulture
“The world of Japanese films production was a kind of temporary Warm West, which was no longer locked in the hierarchical promotion system which spoke of Ozu and Kurosawa. Suzuki got up through the reshuffle almost by accident, but once he became a director, he made sure that no one forgets his name.”
Harry Belafonte and the social power of a song
Amanda Petrusich | The New Yorker
“Belafonte was surprisingly premonitory as to the ways of which the taste could and would be politicized, and above all how trexing it is to confuse consumption with action. Causes. “”
A strange and elegant accent of Jackie Kennedy, explained by linguists
Alex Abad-Santos | Vox
“The simple fact of reading this line does not do justice to the voice that Portman has adopted for the role. If you don’t know how Jackie Kennedy spoke, listening to Jackie de Portman is like the tingling of soda in your throat. He often seems familiar, but in certain places, he appears and jumps. English.”
MoonlightForgotten frequencies
Dave Tompkins | MTV News
“”MoonlightThe score is part of this enabled emotional space, internalizing the environment of Miami. (In terms of low -winging vinyl pressing, wider spaces between grooves make room for longer wavelengths and lower frequencies.) [Nicholas] Britrell, the composer, everything in MoonlightThe score was at some point lowered and lived a life of low alternative before reaching your ears, whether you heard it or not. “”
