Poem: ‘The Covert Herbarium of Cryptogamic Botany’

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A century ago, a father and a son
worked to reproduce the complex
structure of nearly eight hundred
species of plants out of four thousand
delicate models. Leopold Blaschka
and his son Rudolph were masters
torch working, blowing and shaping
molten glass glistening on a torch
blue flame. Fame came to them
when Harvard University put the most
of the collection on permanent display
in its Natural History Museum.
What was kept under lock and key was
the monstrous Venturie uneven,
Deforming Taphrina, and a taste of
Monilinia fructigenaa grotesque
perversion of beauty called fruit
in decadence. For a few short months
the nineteenth year of this year,
the third millennium, just before
a global pandemic has ravaged
for humans, twenty examples emerged
peach leaf curl, pear scab, brown
rot and a whole pale microcosm
of Aspergillus leaving the office
ground in tiny zombie flesh trees.
Fungal bodies such as ferns, mosses,
algae and fungi spread
around by spores, so no longer an orchard
will share an infection, the signs said.
Detection always comes from the study
stains, spots, drying out and rot
in this gallery of fragile monsters, simulacra
of apples sharing a barrel of cultivated land
Latin names for diseases that are both so ancient
and relentless as time that withers, and yet
with a genius to flower again to reproduce
death in our Garden of Eden unleashed.

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