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The Disappearance of Nancy Guthrie

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Guthrie lives on nearly an acre, in a brown-brick, ranch-style house with an attached garage, a short gravel driveway, and desert landscaping. She has been there since the mid-seventies. (Her husband died in 1988.) Her neighbors live within easy walking distance but their homes are barely visible, one to the next, because of folds in the hills and the density of trees and cacti. A sheriff’s cruiser was stationed in Guthrie’s driveway, its lights flashing. At the foot of the driveway, someone had erected a large sign, covered in protective plastic, that read “Dear Guthrie Family, your neighbors stand with you.” A painted stone read “Please pray.” Visitors were leaving potted plants and grocery-store flowers, many of them yellow, symbolizing hope for a safe return. Whenever someone new arrived at the tribute point, reporters pounced on them for comment.

By then, investigators had checked Guthrie’s flat, whitewashed roof and probed her septic tank with a long pole. They had towed away her car. They had searched Annie’s home, and re-searched Nancy’s. Two drones buzzed overhead, and a chopper was up. The public had been fed aerial views of the property: a tidy back-yard parabola of green grass that led to a gated swimming pool and aqua chaise longues; blue planters; an orange tree; a patio with string lights.

John Voorhies, a Tucsonian of sixty-two years, was standing in front of Guthrie’s home, watching the activity. He’d come with a friend—a paralegal and a TikToker who had driven seven hours, from Huntington Beach, California, to see the crime scene and opine about it. Voorhies, wearing an earpiece in his right ear, was listening to this friend live-stream while strolling up and down the street. Eventually, the TikToker stopped and pointed his cellphone camera at Guthrie’s home. The sobering details of the case included the fact that her doorbell camera was disconnected at 1:47 A.M., and that at 2:12 A.M. software detected motion, though it was unclear which software, or what this meant. At 2:28 A.M., Guthrie’s pacemaker disconnected from the app that monitored it, providing an important clue to when she was taken.

Leising described five reasons someone might commit a kidnapping: financial gain, ideology, domestic discord, exploitation (for example, sex trafficking), and “delusion,” or mental illness. One could not help wondering whether Savannah Guthrie’s prominence—at a time when President Donald Trump has spent the better part of a decade calling journalists “the enemy of the American people”—was a factor. Tucson is Savannah’s home town; she went to college and got her start in broadcasting here. In November, in a “Today” show feature, she included her sister and mother in a scene at El Charro, a historic restaurant, where she asked Guthrie what she likes about where she lives. Guthrie mentioned “the air, the quality of life—it’s laidback and gentle.” They toasted with prickly-pear margaritas.

On Monday, Savannah had posted another video on social media. This time she appeared alone, speaking extemporaneously as her family entered “another week of this nightmare.” Her hair and makeup were done. She was composed. The media was reporting that there was a 5 P.M. deadline for delivering six million dollars’ worth of bitcoin referenced in one of the so-called ransom notes. Savannah again mentioned faith, telling viewers that their prayers are “lifting” their mother, “even in this moment, and in this darkest place.” The Guthries believed that Nancy was “still out there.” Savannah begged the public for help: “We are at an hour of desperation.”

The images from the doorbell camera show the intruder approaching the alcoved entryway of Guthrie’s house with his head down, walking hunched over, as if trying to avoid his face being seen. In addition to the balaclava, gloves, and backpack, he’s got on a holster that is too big for what looks like a handgun inside it. He’s positioned the holster over his crotch—almost like you’d wear an athletic cup—which anyone with firearms training would recognize as amateurish. (“Tactically, it’s ridiculous,” Miller, the former F.B.I. official, said.) Reflector strips on his backpack catch a bit of ambient light, though the overhead porch light is off. He steps onto Guthrie’s doormat, reaches for the camera, and tries to cover it with his right hand. Then he turns and bends, looking for something on the ground, in the alcove, before stepping onto the front walkway and plucking stems and leaves from a withered plant in the landscaping. He walks back to the camera, with what appears to be a small flashlight between his lips, and tries to obscure the lens with that clump of dead greenery.

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