How I Fixed My Webcam Lighting for Zoom Calls (2026)

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Here’s the problem. We have two young children at home and we live in town in a townhouse that isn’t exactly big. This results in a lot of “shared spaces,” also known as partially controlled chaos. The room we colloquially call the “office” is hardly a dedicated workspace. I couldn’t survive without the blur background feature of Zoom and Teams. The closet is storage space, and in addition to our standing desk, which is usually filled with laptops, monitors, laptop stands, and various peripherals that I test, we also have non-work items in the room. Some of these include a play kitchen, toy food bins, an entire crate of Duplos, a modular play couch, and an assortment of other scary things that hurt to step on.

Moving is not an option, at least not an easy one. I could certainly close the blinds, but this is also where my 5-year-old son displays his Lego creations. And that also leaves me exclusively with terrible track lighting on the ceiling – which, again, is behind me. This is a mixed-use room, and I’m sure some of you can understand the limitations that creates.

I’m starting to buy a webcam again. After all, an external webcam doesn’t need to fit all of its parts into a small camera module slotted into the top bezel of a display. Maybe it’s a mistake to expect much from these tiny laptop cameras in the first place. I collected every possible webcam I could find. There are tons of options, from cheap 1080p cameras to spending hundreds of dollars on 4K options with AI features. But I was less concerned with specs like resolution, megapixels, aperture, and field of view, and simply found myself wanting to improve the dismal situation I was facing in my office.

Lights, Camera, Action

Two small rectangular webcams attached to the top of a laptop screen, one white and the other black

Insta360 Link 2C (left); Insta360 Link 2C Pro (right)

Photography: Luke Larsen

Almost all of the dozen webcams I tried looked great in ideal lighting. I spent some time working in another room next to a window and the upgrade to an external camera seemed significant. With all that light to work with, higher-end cameras with a larger 1/1.3-inch image sensor handled the situations perfectly. There was no need to turn off direct natural light to get detail on my face, showing a wider dynamic range of shadows and highlights. Having more natural light in the room improved almost every webcam I tried, but it also better showed how powerful some of these high-end cameras really are, like the Insta360 Link 2C Pro or the Obsbot Tiny 3. These are the scenarios in which most webcams are tested, leaving them all more or less adequate.

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